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Click the thum
bnail to read the
review of Ben Waters' memorable visit to 'the bbc' as featured in February's 'Blues
in Britain'.

'A Keith Lee Review'
Click thumbnail for Toby Walker's review in November's Blues in Britain Magazine.

'A Keith Lee Review'
Efes Blues Festival, Girne, Cyprus (21st October)
Barbara
writes-
With the Mediterranean blue, echoed in the Efes displays, the sun went down over the mountains in Kyrenia. A perfect setting for a Blues festival, under the stars. The audience were mostly young Turkish Cypriots and quite a few '60-something' Brits.
Ray Schinnery was the acoustic opener in the Jimmy Reed style. He knew the audience and kept the songs short “You got me running.." and populist .... “Bright Lights Big City” (more appropriate for Istanbul?) Then he got everyone singing along “I know, I know, I know ...." with one of my favourites “Ain’t no sunshine”
Terry Evans and band were the highlight for me. He has a great range and a soulful voice, no more so than in “Dark End of the Street”. The Hammond was a welcome sound and Slick Williams on guitar was great on “You ain’t gotta go” The top of the bill was Shemekia Copeland (as seen at Colne R'n'B Festival). She sang “Dirty Water” in the inimitable Blues Momma style...great.
Your ticket in, brought you a free, cold Efes Beer... sounds like the BBC July gift.
On our wall in Keighley there’s the poster for 13th EFES BLUES FESTIVAL and now there’s the 20th poster on our wall in Cyprus.
Click thu
mbnail
for
Peter Greenwood's Keighley News
review of bbc5's CD -Keighley
Tennessee
Clic
k
thumbnail for
Roach & Mars
review in May's
Blues in Britain
Magazine.

'A Keith Lee review.'

Hamilton Loomis Band -April 24th 2009
'Ickledot' writes -
Hamilton Loomis. Native of Galveston, Texas. Fine musician and friend of the late Bo Diddley. On Friday, April 24, 2009, he and his band came to play and give their all in
the little Pennine village of Laycock. It was yet another of those nights when one needed to pinch oneself every now and again just to
make sure it was really happening. Such a tight band playing a stratospheric
standard of music in our own back yard, so to speak.
There was something for everyone.
The purists got their share while other
tracks reached those who prefer a rockier style. There
were even songs (such
as the funky Best Worst Day) which, it could be argued, were not really
blues at all.
Drummer
Jamie Little must
really like the Bronte Blues Club. It was his second visit of the season,
his first being with the excellent
Sherman Robertson
back in November.
He
was on great form, as was saxophonist and keyboards man
Stratton Doyle.
Bassist
Kent Beatty completed
a line-up that sounded as if it had been together throughout each of its
member’s careers.
Hamilton Loomis is a true showman who recognises that fine musicianship is
not quite enough for a performance to be memorable. The show included much
leaping around, forays into the audience, solos standing
on chairs (the village hall tables were not quite up to it) and other antics
and asides, none of which compromised the music.
And if that wasn’t enough, there was also a guest appearance by guitarist
Alex McKown who is
very good and probably becoming increasingly fed up of people being amazed
by his age. I’m sure he’s not by ours.
A wonderful evening. Thanks to Hamilton and all concerned
Keith Lee
writes - A
'Blues in Britain' Report.-April
2009

The Blues Band at the King's Hall, Ilkley (18th March)
John
writes -
"A very enjoyable night was had by all, watching this bunch of very accomplished players performing the sort of music we all love.Led by the virtuoso harmonica playing and vocals of Paul Jones, they kept a nice variety by alternating the singers. As well as being top musicians, Dave Kelly, Tom McGuinness and Gary Fletcher all took turns on vocals.They were backed by Rob Townshend on drums, and Bob Hall on piano.
It felt like a very personalised gig, as their repertoire was similar to recent BBC5 offerings. Starting with “San Francisco Bay Blues” and “That’s Alright Mama”, we were also treated to “Before you accuse me” and a Ray Charles tribute.
Other blues classics followed, but one of the highlights was a piano solo from Bob Hall. I’m looking forward to seeing him close up at the Bronte Blues Club.
This was the third time I’d seen The Blues Band at Ilkley, and it was the best yet!"
Keith Lee
writes - A
'Blues in Britain' Report.-March
2009


Peter Greenwood writes in 'The Keighley News' (March 5th)
Keith Lee
writes - A
'Blues in Britain' Report.-March
2009

Keith Lee writes - A 'Blues in Britain' Report.-February 2009



'Ickledot'
writes -At the risk
of becoming repetitive, it was yet another truly great night at the
Bronte Blues Club.
The headline act was
The Ramon Goose Band,
a trio which, although based in Essex, includes Hungarian wizard bassist
Akos Hasznos. The
line-up, a relatively new version of the band, is completed by Paul
Francis on drums. They were fantastic. The accoustic-electric mix gave a
set which had great variety and also allowed for a quiet start, gradually
building to a wonderfully rhythmic version of In My Father’s House to
complete the first set. I would certainly love to see them again and would
recommend you do the same.
Support act BBC5, due to enter the recording studio on Sunday, reached new
heights. They really are becoming a tight outfit. As singer and recent
sextaganarian Michael Ford (I take it back Michael - your singing is much
better without the cold) mentioned, the band now spans five decades. They
are living proof that the generation gap is a myth, in Laycock at least.
Long-time members have been somewhat bemused of late at the audience’s
early arrival. Could it be they want to make sure they catch the house
band?

Bronte
Blues Club -Sherman
Robertson Band
Pic -Idris

Keith Lee writes -
A 'Blues in Britain' Report.
November 2008
Pic -Idris Richards
Sherman Robertson Band - 21st November at 'the bbc'
'Ic
kledot'
writes-
Arriving early to avoid the forecasted Pennine blizzards, ickledot was lucky enough to catch the closing bars of the Sherman Robertson Band’s soundcheck. I knew then that we were in for a special night. As the audience gathered, the sense of anticipation grew.


Bronte Blues Club -Kent Duchaine
Pic -Charles Waller

Keith Lee writes -
A 'Blues in Britain' Report.
November 2008

Peter Greenwood's -Craven Herald Review
Doug McLeod @ Iva Lee’s San Clemente CA.

Review & portrait by -Chris Lackey (CA, USA)
Luckily Rachel had suggested that her Mom like to make a reservation at the restaurant hosting Doug…. It would have been a real pity to come all that way and miss him.
This is a regular slot for Doug, and his Tommy Bahama-wearing crowd were out in force, from 7pm – 10:30. Respect was apparent, as we listened to the great raconteur telling us this song goes exactly, (not something) like this.
At a break, Barbara took back the capot that Doug left at the Blues Club. He thought it awesome that she’d come all that way to see him. He remembered you well and is looking forward to a reprise in 2009.
“Those guys are dedicated to keeping the blues alive. The schools thing is so cool. Those kids were great”
When Barbara asked if they could use the photo on the website, he said
“As long as I look good..” Well, in his 2 tone lounge shirt, he sure looked and sounded good. This 30 something bought “The Utrecht Sessions” and keeps playing it in the car.. “That ain’t right” keeps you thinking.
Co
lne
R'n'B Festival -August 2008
Jackie & John write - "..high energy R'n'B..."
Friday saw the start of the much-anticipated Colne R'n'B Festival, particularly as crowd-pleasers Dr Feelgood and Nine Below Zero were on the bill.
Nine Below Zero mixed R'n'B with Rock & Soul in a varied set. Mark Feltham did his harmonica virtuoso bit, particularly on 'Stone Fox Chase' (The Old Grey Whistle Test theme). Dennis Greaves (Gtr) seemed slightly out-of-sorts, by his high standards but they went down a storm. They left the stage to a chorus of boos but only as they'd gone over time and couldn't do an encore. Dr Feelgood preceded them and were at their usual brilliant best banging out high energy R'n'B driven on by Steve Walwyn's excellent guitar work. The 'Feelgoods' - does exactly what it says on the tin!
Seven-piece-band 'Supercharge', opened the night. They played a dynamic set led by Albie Donnelly on sax and vocals. They ripped through Rocket 88, some Louis Jordan stuff, blues and even a mambo! Very entertaining!
Worthenbury Blues & Roots Festival - Wrexham, North Wales -June 2008
B
arbara
writes - "...the sun shone on the righteous.."
After last years' downpour and subsequent retreat to 'the barn', the 'sun shone on the righteous' at Worthenbury's 2008 annual outdoor blues- fest. A massive turnout approaching 500 consisted of a sprinkling of the NW blues-cognoscenti but mostly local families making the most of outstanding musicians on their own doorsteps.
On our way to the field we passed Worthenbury's Village Hall (a virtual shrine to 'bbc' members 'in-the-know', since it was the blueprint for our own residency at Laycock Institute) before claiming our patch-of-grass for the day. Two low-loaders alongside each other provided the electric and acoustic stages with virtually non-stop music for nine hours.
Sam Payne provided her usual accomplished boogie-piano and abrasive patter and Dave Acari's punk-Delta-blues was as incomprehensible as ever. Tommy Allen has recently teamed-up with Smokehouse Blues harpist Johny Hewitt in an acoustic duo. Both are outstanding blues-musicians and fine vocalists and are developing a good rapport and a classy repertoire . Watch out for these two!
On the electric stage, the Stumble did what the Stumble do, but suffered, for me from following the stand-out act of the festival, Bill Sheffield, over from Atlanta, Georgia, and ably supported on bass by Dave Saunders. He was outstanding. Bill plays a swinging, lyrical, finger-picked Piedmont style of blues-guitar with grace and sings with a range and depth of feeling. He is talented and personable -the perfect combination for t'he bbc', I reckon!
Top-of-the-bill was Texan rockabilly-bluesman Lightnin' Willie (see pic.) and his ever-changing band of 'Poor Bys'. His lively set drew even more dancers to 'the floor', some of them sober! It was a terrific, lively finale, to a terrific day; a credit to the organisers and the people of North Wales.
e-mail - branwell@bronteblues.com